Showing posts with label symbolism. Show all posts
Showing posts with label symbolism. Show all posts
Friday, February 3, 2017
"The philosophical adept, who, knowing God, says 'There is No God,' meaning, 'God is Zero,' as qabalistically He is. He holds atheism as a philosophical speculation as good as any other, and perhaps less likely to mislead mankind and do other practical damage as any other. Him you may know by his equanimity, enthusiasm, and devotion... The nine religions are crowned by the ring of adepts whose password is 'There is No God,' so inflected that even the Magister when received among them had not wisdom to interpret it...
There is a fourth kind of atheist, not really an atheist at all. He is but a traveller in the Land of No God, and knows that it is but a stage on his journey—and a stage, moreover, not far from the goal. Daath is not on the Tree of Life; and in Daath there is no God as there is in the Sephiroth, for Daath cannot understand unity at all. If he thinks of it, it is only to hate it, as the one thing which he is most certainly not...
This atheist, not in-being but in-passing, is a very apt subject for initiation. He has done with the illusions of dogma. From a Knight of the Royal Mystery he has risen to understand with the members of the Sovereign Sanctuary that all is symbolic; all, if you will, the Jugglery of the Magician. He is tired of theories and systems of theology and all such toys; and being weary and anhungered and athirst seeks a seat at the Table of Adepts, and a portion of the Bread of Spiritual Experience, and a draught of the wine of Ecstasy." - Aleister Crowley
Labels:
Aleister Crowley,
atheism,
magick,
philosophy,
quote,
symbolism
Tuesday, August 30, 2016
Saturday, August 27, 2016
Tuesday, August 9, 2016
William-Adolphe Bouguereau
William-Adolphe Bouguereau was a French painter. He was a traditionalist and a symbolist heavily influenced by the Western mystical tradition then sweeping Europe in the late 19th century. His incredible paintings are, apart from displaying incredible mastery and technique, also filled with symbolism which the trained student in mythology and esotericism can easily pick out.
Labels:
art,
symbolism,
William-Adolphe Bouguereau
Saturday, March 19, 2016
Wednesday, December 9, 2015
The Ladder of Lights Paperback by William G. Gray (PDF)
Hands down, this is one of the best books on modern Qabala ever written! Gray takes a step-by-step look at the Ten Sephiroth and their traditional attributions in each of the Four Qabalistic Worlds. A relatively simple, no-nonsense approach to modern Qabalism.
In some ways, I view this book as a companion piece to Dion Fortune's much better-known work, "The Mystical Qabalah," since both books provide the reader with a fairly straightforward approach to this challenging subject. Where Fortune starts at the top of the Tree of Life and works her downward, however, Gray starts at the bottom of the Tree and works his way to the top. Although Grey's interpretation of the Tree is similar to Fortune's, by approaching the material from a completely different perspective he is also able to provide new insight.
This book's greatest strength is that it analyzes each of the ten Sephiroth from each of the Four Qabalistic worlds, providing the reader with something sorely missed in Dion Fortune's classic book on the subject. This book's greatest weakness is that, unlike Fortune, Gray pays almost no attention to the organization of the Sephiroth upon the Tree, or to the relationships between them. Without a word of explanation Gray also reverses the traditional Yetziratic attributions of Malkuth and Yesod, assigning them to the angelic choirs of Cherubim and Ashim respectively, although I do see the logic and consistency of this attribution.
Overall, this is a good, solid title for somebody interested in approaching modern (non-rabbinical) Qabalism for the first time. I'd recommend reading Dion Fortune's book first, if you haven't already, and then tackling this book immediately afterwards for a different take on the same material.
Download book:
http://www55.zippyshare.com/v/JdDB6SeN/file.html
Saturday, November 21, 2015
Alejandro Jodorowsky & Marianne Costa ::: The Way of the Tarot
Filmmaker Alejandro Jodorowsky’s insights into the Tarot as a spiritual path.
Alejandro Jodorowsky’s profound study of the Tarot, which began in the early 1950s, reveals it to be far more than a simple divination system. The Tarot is first and foremost a powerful instrument of self-knowledge and a representation of the structure of the soul.
The Way of Tarot shows that the entire deck is structured like a temple, or a mandala, which is both an image of the world and a representation of the divine. The authors use the sacred art of the original Marseille Tarot--created during a time of religious tolerance in the 11th century--to reconnect with the roots of the Tarot’s Western esoteric wisdom. They explain that the Tarot is a “nomadic cathedral” whose parts--the 78 cards or “arcana”--should always be viewed with an awareness of the whole structure. This understanding is essential to fully grasp the Tarot’s hermetic symbolism.
The authors explore the secret associations behind the hierarchy of the cards and the correspondences between the suits and energies within human beings. Each description of the Major Arcana includes key word summaries, symbolic meanings, traditional interpretations, and a section where the card speaks for itself. Jodorowsky and Costa then take the art of reading the Tarot to a depth never before possible. Using their work with Tarology, a new psychological approach that uses the symbolism and optical language of the Tarot to create a mirror image of the personality, they offer a powerful tool or self-realization, creativity, and healing.
ALEJANDRO JODOROWSKY is a filmmaker who made the legendary El Topo and The Holy Mountain. He also is a psychotherapist and author of many books on Tarot and spiritualism, including Psychomagic and The Spiritual Journey of Alejandro Jodorowsky. MARIANNE COSTA has worked with Jodorowsky since 1997, coteaching workshops on Tarot and family-tree therapy. She is the author of No Woman’s Land. Both authors live in Paris.
Download:
http://www41.zippyshare.com/v/rrxWFRMw/file.html
Saturday, June 27, 2015
A Lecture on the Philosophy of Magick By Aleister Crowley
[Ed. note: Richard Kaczynski, a serious student of Crowley's unpublished work who recently completed his biography of Crowley, obtained this lecture from Christina Foyle, a member of the English bookdealing family renowned for her leterary luncheon lectures. Her family's London shop remaindered Crowley's Magick in Theory and Practice. He noted in his diary for August 17, 1932 "Saw Foyle - asked to speak at lunch Sept. 15 on "The Philosophy of Magick." His hope was, as he wrote an aquaintance a few days later, "to sell a few hundred sets of my treatise Magick." Christina Foyle told Kaczynski that she arranged the luncheon at Grosvenor House even though many people warned her off because of Crowley's reputation (her usual fare was Auden, Eliot et al.). One attendee, Rode Macaulay, remarked "I don't mind what he does, as long as he doesn't turn himself into a goat." Crowley's diary for Sept. 15, the day of the luncheon, records "Made a good speech!!!!!" - HB]
I am sorry if I am not as frivolous as might be
required by the exigencies of the occasion, but Magick is a very serious subject, and I
have a very serious message to bring you. It is very little understood what Magick is. It
is connected in the minds of some people with conjuring. In the minds of others it is
connected with charlatanism. I want to tell you that Magick has been since the very
earliest ages of humanity the tradition of the wise men. I want to tell you what the
essential doctrine of the magician is with regard to man's place in the universe and that
it is given in The Book of the Law that every man and every woman is a star. What
is a star? Philosophers have always agreed about one thing - that is that the Universe to
be intelligible at all must be considered as one and homogeneous. Therefore you can
understand the position of the mystic who says that each of us is a member of the body of
God. You can understand what is written in the Bible, "your bodies are
temples of the Holy Ghost." It is upon these postulates that the general theory of
Magick is founded.
Why should this be so? We are all agreed, no doubt, that
everything that happens is in some philosophical sense a necessary happening. Let us
consider the adventures of an atom of oxygen. That atom of oxygen is not different from
any other atom of oxygen in itself. For it is identical in the same sense that we are all
of us identical. The question is - why alter that state? Why descend from the absolute to
the material? And the answer is that we will suppose the atom of oxygen is self-conscious
and becomes aware of this possibility only by entering into combination with all other
atoms. Nothing in making that combination can destroy the oxygen. The oxygen will remain
oxygen and can be extracted as oxygen, but in the process of combination it has got
experience and the magical theory of the Universe is that we have all come to the
particular star or planet we hapen to be living on in order to get experience. We all go
through stages in that experience. Some of those stages are pleasant and some rather
unpleasant, but they are all necessary in order that we may obtain the full comprehension
of ourselves.
This is the reconciliation in the magical theory between
freewill and destiny. It is true, as the determinist has told us, that our actions are all
automatic - that we are no more capable of thinking original thoughts or performing
original and willed actions than any other piece of machinery. That is the doctrine of the
materialist. And we say, "Yes, very good, but who invented this machinery?" And
the answer is, "We ourselves. Each one of us." We are in the middle of a world
crisis. It is a very good world crisis - better than any crisis we have had before and
there is no man alive with an intellect big enough to grasp the threads of the problems
which confront the world today. There are two ways out of that. Either consult a superior
intelligence which Magick shows you the way of doing, or you can develop your own mind,
for it has a faculty which is as superior to the intellect as the intellect is superior to
the emotions.
All magical operations require a very elaborate training of
one kind or another, but I think the only way out is that we have got to put men in charge
of this planet who are really more than men. We must get back to the times of the prophets
or we must make ourselves prophets. And we must look at world problems from a standpoint
which is entirely alien to that existing at present.
Labels:
Aleister Crowley,
article,
magick,
philosophy,
religion,
ritual,
symbolism,
Thelema
Saturday, June 13, 2015
Sunday, May 31, 2015
LAM: The Gateway by Michael Staley
Lam!
Thou Voice of the Silence,
Glyph of Hoor-paar-kraat:
The Dwarf-Self, the Hidden God.
Gateway to the Aeon of Maat!
I evoke Thee! I evoke Thee!
With the mantra Talam-Malat,
Talam-Malat,
Talam-Malat ...
Crowley's portrait of Lam, entitled 'The Way', was first published in 1919 as a frontispiece to his Commentary on Blavatsky's The Voice of the Silence. However, nowhere else in Crowley's work is there a mention of it until 1945, when a diary entry records Kenneth Grant's interest. It is clear, however, that the portrait arose in connection with the Amalantrah Working of 1918-19, when Crowley lived in New York. Unfortunately, the Record of that Working which survives consists of the first six months only. Nevertheless, it is clear from a study of this surviving material that the portrait of Lam embodies the quintessence of the Working.
LAM - Typhonian O.T.O.
The absence of Crowley's exegesis on Lam gives us a great deal of freedom and creativity to discover the implications for ourselves, and to use them as magical and mystical tools in our initiation. The portrait was republished in Grant's book The Magical Revival in 1972, and several times since - see, for instance, the Statement on Lam by the O.T.O. published in Starfire Volume I number 3 (London, 1989).
There is much material on Lam in the more recent books by Grant; however, a definitive interpretation has yet to emerge. This is because we are dealing with something that is living and growing, rather than a matter simply of academic study.
Nevertheless, a broad outline is emerging, enough to make clear the primary function of Lam as the Gateway to wider and deeper ranges of consciousness - our extra-terrestrial, pan-dimensional Reality. In fact, anything whatsoever can function as the Gateway to those dimensions. The supreme glyph of Enlightenment is the lightning-flash, the swift awakening to Reality, which illuminates the landscape previously shrouded in darkness. The lightning flash can be triggered at any time, and by anything, when the conditions are propitious. The accumulation of glamour around the Cult of Lam makes it a Gateway which is pre-eminently accessible, however. The association with The Voice of the Silence makes it clear that Lam is a glyph of that Voice - the Babe in the Egg, Harpocrates, the God of Silence. This is Hoor-paar-kraat, the dwarf-self or Hidden God which is the Holy Guardian Angel. Here is a deep and powerful link; Hoor-paar-kraat is the copula with the unbroken, ever-coming substratum of consciousness which is Maat or the Tao, and of which we are terrestrial refractions. It is because of the intimate, intrinsic nature of this connection that every Initiate needs to forge his or her own link with Lam, and thus to develop an idiosyncratic Cult of Lam. The evocation reproduced at the outset of this essay is an example, being part of the present author's Lam sadhana, encapsulating the awareness of Lam outlined above.
Crowley gave the portrait to Kenneth Grant in 1945. Since then the significance of Lam has become more apparent. This significance can be glimpsed in the Amalantrah Working, but its applications reach well beyond; were this not the case, then Lam would be nothing more than an exotic curio in the museum of Crowleyanity. The emerging Cult of Lam is of central importance to Starfire; for now, though, this article looks at some of the seeds in the Amalantrah Working and related areas. Appended are two accounts of contemporary Lam Workings which have been submitted to us [on-line is only ONE appendix]. The first of these draws on Enochian approaches; the second makes use of the magical technique outlined in the Statement on Lam published in the third issue of Starfire.
Crowley went to the United States in 1914, at the outbreak of the First World War, and stayed there until 1919. This period covers the core of his initiation into the A.·. A.·. grade of Magus. These years were marked by an ever-deepening insight into and affinity with Taoism, as is made plain in the course of the Preface to his Tao Teh Ching - actually a revision of James Legge's earlier translation. This insight saturates Liber Aleph, The Book of Wisdom or Folly, the manuscript of which was almost complete by the opening of the Amalantrah Working. Liber Aleph is a central work of Crowley's, where he makes clear the deep affinity between Taoism and Thelema; without an appreciation of this affinity, Liber Aleph appears as little more than a scattering of aphorisms. The Amalantrah Working needs to be seen in the context of this initiation.
According to Crowley's account, the Working arose spontaneously. He was living with a mistress at the time, Roddie Minor. One of her indulgences was opium, the opulent visions of which she related aloud. On one particular occasion, her apparent ramblings struck Crowley as bearing on the Abuldiz Working of some years previously, and after some astral investigation he decided that there were indeed threads of the earlier Working which were being picked up; thus opened the Amalantrah Working. Crowley inaugurated regular sessions, which usually took place at the weekends. He seemed interested primarily in its use as an oracle for his affairs over the forthcoming week. Although there were many such short-term oracular pronouncements, there was also a wealth of more substantial material.
Amalantrah is the name of the entity with whom Crowley trafficked over the course of the Working. Communication was never direct, but via a medium or Seer who was sensitised by sex, drugs and alcohol in various combinations. Because of the effects of these preliminaries, the earthing of the communications was sometimes poor, their expression rambling and diffuse; the wheat needs to be separated from the chaff, therefore, when considering the Record. The Seer was usually Roddie Minor, although on a few occasions other women did assume the Office. The visions often opened in a woodland Temple which was perceived astrally by the Seer; this Temple was sometimes peopled by apparent doubles of those participating, and included on occasions absent colleagues.
Several of the early visions are very suggestive of the portrait of Lam. Consider, for example, the following:
I began by asking for a vision containing a message. I first heard gurgling water and saw a dark farmhouse in among trees and green fields. The house and other things disappeared and a dark yoni appeared just where the house had stood. I then asked where will a message come from? Immediately soldiers with guns appeared lounging about the place, and a king on a throne where the house had stood. I then asked again for a message and saw an egg in which were many tiny convolutions of some flesh-like substance which would form something. The egg was placed in an oblong as in a picture. Around it were clouds, trees, mountains and water, called the 'four elements'. A camel appeared in front of the whole picture. I next tried to find out who the king was. He looked more like Prof. Shotwell than any one else. That is, he was 'simple, democratic' and very learned and fine. He was certainly not a king belonging to any kingdom limited by a country's borders, but he was a king of men, or a king of the world. I asked his name and the word 'Ham' appeared between the egg in the oblong and the soldiers around the king.
The Egg is a commonly-occurring glyph throughout the visions of the Amalantrah Working. It is of course a glyph of birth - the egg which contains the potential of all that is to come. There is a reference in one of the visions to Geburah 'applied to' the egg. Geburah is in this context the sword which cleaves the egg, or the lightning flash which sunders it, giving birth to the potential secreted within. Since elements of this particular vision are the foundation for much of the subsequent analysis, an extract from the Record follows. In this extract, 'T' is Therion, and 'A' is Achitha, the motto of the Seer, Roddie Minor. 'The Wizard' is Amalantrah. 'Arcteon' is the motto which was given to Charles Stansfeld Jones by Amalantrah. The bracketed material in the Record indicates both lacunae and asides by Crowley or others.
[Saturday] 27th April 1918 10.08 p.m. Wizard very serious and looks at Achitha in a very contemplative mood. Seems to approve. Turtle is most prominent thing in Temple. Child is there, lion and Barzedon. Arcteon has a very prominent place; he is a tall man that always appears in the Temple.
T: 'What is the work of this weekend?'
A: 'Geburah.'
T: 'Geburah applied to what?'
A: 'The egg. The egg is resting on the point of mountain tops, very sharp. Water around, lotus flowers on it.'
T: 'Egg is symbol of some new knowledge, isn't it?'
A: 'Gimel. Lamed.' (= spring, fountain.)
T: 'What does that mean?'
A: 'I don' t know; followed symbol of mountain and lotus flower.'
T: 'How are we to break open the egg?'
A: 'In plain language it means Thou art to go this Way.'
T: 'That isn't plain language. How are we to get this new knowledge?'
A: 'Don't ask questions too fast. Sow the wild oats; go into the (...) into the Mother ... (T[herion]: You bet, you bet.) (A[rcteon]: I think you're both getting off the trolly.) ... to be born again.'
T: 'What about the Mass of the Holy Ghost?'
A: 'That hasn't anything to do with it. You've shattered everything. I'll have to establish connection all over again. Going into the Mother to be born again, you get a New Life and then the Earth is covered with wonderful flowers, and bees come to the flowers to get honey to store, and the honey is stored elixir. I see a hill very steep. (I think (...) is played out.) Mother standing (...) down watching child. I don't know if she's going to save it or go after it or what. Lotus flower on water again.'
The references to the lotus flower in association with the egg, and later the child, are significant. They suggest the Babe in the Egg, Harpocrates, often depicted as seated upon a lotus flower. The mountain is a symbol of initiation, of communing with the gods; examples are Mount Arunachala and Mount Kailas, and the story of Moses ascending the mountain to receive the Word of God. The Hebrew letters Gimel and Lamed give GL, which means 'spring, fountain'. The portrait of Lam shows clearly a mottled emanation or umbra from the top of the egg, like the dappled effect of a fountain in sunlight, or the 'fountain of dew' which showers from the Sahasrara chakra when the Fire Snake streaks up the Sushumna. The original publication of the portrait in 1919 did not show this, presumably because it was too subtle for the reproduction techniques then prevalent; subsequent publications in The Magical Revival (1972), Outside the Circles of Time (1980), and Starfire Volume I number 3 (1989) show it clearly, however. The Record of the last surviving session of the Working makes further reference to Gimel and Lamed, as the following extract shows:
[Sunday] 16th June 1918 9.00 P.M. Wizard very natural - usual folk there.
T: 'Symbol for next week?'
A: '245.' (perfect man; gall; RVCH AL (Spirit of God).)
T: 'Explain, please.'
A: '83 explains one side of it.' (83 = dew, wave etc.) '74 explains rest.' (74 = ??? etc.)
83 = Gimel 74 = Lamed
33. Spring, fountain. Perhaps all means the way is clear.
Here Gimel and Lamed are again mentioned, this time as the two sides of Perfection which are integrated in Adam Qadmon, the Perfect Man. This reference to Perfection suggests the Tao; it also suggests Maat as the Perfect Aeon. Gimel and Lamed when enumerated in full are 83 and 74 respectively, and combine as 157, the number which Crowley assigned to his reworking of Legge's Tao Teh Ching translation. He completed the reworking during his Magical Retirement at Oesipus Island in the summer of 1918; and he relates in the published Preface how he evoked Amalantrah to elucidate certain obscure passages. The attribution of 157 to his Tao Teh Ching, then, gives us further confirmation of the Taoist substratum of the Amalantrah Working, and reinforces the identification of Perfection with the Tao.
The portrait of Lam shows a well-developed Ajna chakra, which can also be seen as a stylised ankh. Together with the pattern of the umbra mentioned earlier, the shape of a cup or chalice is clearly delineated. GL also means a 'bowl' or 'chalice'. This suggests that if Gimel and Lamed are the two sides of Perfection, then Perfection is the Supreme Chalice or Graal, the Cup of Babalon, the Womb of the Mother. This interpretation is underlined by a passage in Crowley's Commentary to Liber LXV (The Book of the Heart Girt with the Serpent):
Pe is the letter of Atu XVI the 'House of God' or 'Blasted Tower'. The hieroglyph represents a Tower - symbolic of the ego in its phallic aspect, yet shut up, i.e. separate. This Tower is smitten by the Lightning Flash of illumination, the impact of the H.G.A. and the Flaming Sword of the Energy that proceeds from Kether to Malkuth. Thence are cast forth two figures representing by their attitude the letter Ayin: these are the twins (Horus and Harpocrates) born at the breaking open of the Womb of the m other (the second aspect of The Tower as 'a spring shut up, a fountain sealed').
This passage underlines the mention earlier of Geburah 'applied to' the egg, the lightning flash being in this context a type of Geburah. We have, then, an identity between the Tao and the Cup of Babalon, both being Perfection; and, of course, 'The Perfect and the Perfect are one Perfect and not two; nay, are none!" (AL I.45). The reference to 'a spring shut up, a fountain sealed' is from the Song of Solomon:
A garden barred is my sister, my bride, a spring shut up, a fountain sealed.
This indicates a pregnant womb, rather than a celebration of virginity: to shut up or seal is to obstruct something which has formerly flowed. It is, then, an apt phrase to be used by Crowley in the context of the quote above from his Commentary to Liber LXV. Moreover, it recalls a passage from Kenneth Grant's The Magical Revival:
Crowley used the sevenfold star as a basis for the Seal which he designed for the Great White Brotherhood. The major emblem of the Silver Star is thus the sevenfold seal upon the Yoni of the Star Goddess. In the yonis or triangles appear the seven letters of the name B.A.B.A.L.O.N. Centrally, a vesica is shown, blocked or barred, indicating the presence of the secret seed; the point has become the line, the diameter has become the circumference. This seed is the 'hermit', the hidden, masked, anonymous male essence in the process of begetting its image as the Sun-son upon the mother goddess. This is therefore the Seal of Set who opens his mother's womb, as Sothis the Star opens the Circle of the Year.
(Grant, The Magical Revival, p.48)
Set is Hoor-paar-kraat, the 'secret seed', the Hidden God, released from the egg by the shattering force of the lightning flash of illumination. In Olla, Crowley defines Silence as the Path of the Lightning Flash. Silence in this context is not simply the absence of noise or movement: it is the 'still, small voice' from which manifestation unfolds, the potential which gives rise to the actual, the noumena which underlies phenomenon. The Egg of Silence is typified by Lam; to embark on the Cult of Lam is therefore to evoke the Hidden God, the Holy Guardian Angel. This is Initiation, the journey inwards which is simultaneously the journey outwards, for the microcosm and the macrocosm are not two but one. Lam is the Gateway to Outside - those tranches of consciousness which lie beyond the bounds of what we consider to be ourselves.
This Gateway, and these tranches, are nothing new. The goal of all magical and mystical traditions is Gnosis - the awakening to Reality. The nominalisations of this goal are legion, but all paths lead to Rome. Similarly, each Initiate will have his or her own Gateway, but each Gateway will open out onto the same Reality.
Let us now analyze briefly the evocation which was reproduced at the outset of this essay.
Lam!
Thou Voice of the Silence ...
Crowley's association of the portrait of Lam with The Voice of the Silence identifies it as a glyph of that Voice. The association is underlined by the assignation of 71 to both the portrait and the Commentary, as is made clear by the inscription which accompanied the portrait as originally published:
LAM is the Tibetan word for Way or Path, and LAMA is He who Goeth, the specific title of the Gods of Egypt, the Treader of the Path, in Buddhistic phraseology. Its numerical value is 71, the number of this book.
A metathesis of LAM is ALM, also 71, a Hebrew word meaning silence, silent'. The Silence is the noumenon which underlies and infuses phenomena, the continuum of which all things soever are simultaneously facets and the whole. The Silence is the quietness at the heart of noise, the stillness at the heart of activity, the being at the heart of going, and the emptiness at the heart of matter. These juxtapositions may seem merely revelling in paradox; the fact is, though, that reason is a tool of limited application, and paradox is a means of pointing beyond apparent contraries. The 'Way' or 'Path' is a reference to the Tao. The 'Treader of the Path' is the Initiate, treading the path of initiation. This brings to mind the concluding lines from "Pilgrim-Talk", in Crowley's The Book of Lies:
O thou that drawest toward the End of The Path, effort is no more. Faster and faster dost thou fall; thy weariness is changed into Ineffable Rest.
For there is no Thou upon That Path: thou hast become The Way.
Initiation is the realisation that we are all jivanmukta, liberated whilst yet living; further - that the only thing to be liberated from is the idea that we are not already liberated.
Glyph of Hoor-paar-kraat:
The Dwarf-SeIf, the Hidden God.
Hoor-paar-kraat is the unmanifest twin of Ra-Hoor-Khuit, manifestation. The distinction between these twins is figurative only; they are aspects of each other, neither separate from the other. The term 'Dwarf' Self' is often used: 'dwarf' in the sense of yet to manifest, adolescent, prepubescent, yet to flower. This is the Hidden God, a term used throughout the Egyptian Book of the Dead to glyph the sun in the Underworld or Amenta, the potential which is at the heart of florescence. Yoga is Union; not the union of opposites, but the unveiling of the union which has always existed, veiled by the illusion of limitation. Hoor-paar-kraat is a term often used synonymously with the Holy Guardian Angel.
Hoor-paar-kraat may be seen in terms of the Tetragrammaton, the Hé final, Horus or Ra-Hoor-Khuit being the Vau. This identifies Hoor-paar-kraat with the Aeon of Maat, the continuum or extra-terrestrial reality, a Communion in which we are at once Celebrants and that which is celebrated. As Treaders of the Way, we are not something separate which merely traverses from one point to another: we are the Way.
Gatesway to the Aeon of Maat!
I evoke Thee! I evoke Thee!
With the mantra Talam-Malat ...
Taking the above ideas together, we can see, therefore, in what sense Lam is the Gateway. The portrait of Lam arose from the Amalantrah Working, and is a glyph of that Working. Lam is the Voice of the Silence, the Silence which is the extra-terrestrial continuum of consciousness of which manifestation is a facet. The Aeon of Maat is not a span of time, nor an initiation to which we might attain by virtue of intense and protracted contortions of the mind and body, but is here and now - the Ever-Coming One.
The mantra 'Talam-Malat' celebrates the Gateway, and is uttered several times before it lapses into silent vibration. 'Talam' is the semenhoney offered in the Mass of Maat; the word is a fusion of Lam and Maat. Its number is 81, KSA, the full moon which is both the flowering of the lunar cycle and the point of return to the New Moon; similarly, Maat is both the flowering of the Aeonic cycle and the point of return to the Pralaya or dissolution. The second half of the mantra, 'Malat', a mirror image of the first half, emphasises this sense of backward-turning.
The use of this mantra stems from the culminating moon of a Working, based on Crowley's Liber Samekh, which I undertook several years ago after sensing a summons to the Knowledge and Conversation of the Holy Guardian Angel. The number 81 emerged into awareness, and it seemed to be a perichoresis of several elements - my growing interest in Lam, the mysteries of Maat into which I was then gaining an insight, and my Angel. The mantra 'Talam-Malat', then, concentrates and celebrates the common nature and indeed identity of the Angel, the Aeon of Maat, the Tao, and extra-terrestrialism. This insight was, and is, a matter of experience; once tasted, the nectar is not only never forgotten, but is ever-present.
This brings us to the prime consideration of the Cult of Lam, which is that though Lam is the Gateway to our extra-terrestrial reality, that Gateway is intrinsic to the individual Initiate. Similarly, the key that unlocks the Gateway is necessarily of a unique pattern, and must be discovered by the Initiate in the course of direct magical and mystical experience, The Cult of Lam focuses upon the techniques for discovering the pattern. However, these techniques can never be a universal template; rather, they are but a basis upon which the Initiate rears his or her own Temple of Illumination, the inner shrine of which is Silence.
The Cult of Lam, then, is a quintessence of the Typhonian tradition, which is concerned with trafficking with that which lies Outside of the terrestrial vehicle, and hence uniting the terrestrial and the extra-terrestrial. The practical Keys which facilitate this alchemy will be explored in future articles.
Appendix
Lam and the Art of Archery
'Is a God to live in a dog? No! but the highest are of us'.
'The Tao of Heaven is like an arrow, yet it woundeth not'.
'Happy are they that have known me for who I am. And glory unto him that bath made a gallery of my throat for the arrow of his truth, and the moon for his purity'.
The following material has been drawn from explorations of the Enochian System, and can be of use in contacting Lam. There seem to be several Aethyrs particularly appropriate to the contact with LAM and the energies of the Aeons of Horus and Maat. There are also some elemental spheres within the watchtowers themselves which seem appropriate to contact with LAM. The first account is of a journey to the Aethyr VTI, the Aethyr of Change. Its numeration in terms of the Enochian letters is either 133 or 139, the former reducing as 7 x 19. This is the Aethyr where the Initiate discovers the nature of his or her 'Covenant with God'. The Covenant is LAM; it reflects the particular direction of the Initiate's arrow of Will within the continuum of Maat. Before moving to the vision of this Aethyr, a few signposts are appropriate.
BAG, the Aethyr of Doubt = 19;
BABALON (Babelon) = 114 = 6 x 19;
VTI = 133/139 = 7 x 19;
SHAITAN = 133/139;
OVOF, Magnify = 133;
ABRAHADABRA = 418 = 22 x 19.
Journey to VTI: The Aethyr of Change
After repeating the appropriate calls, I began to stare into the large calcite crystal upon the table which served as an altar. I could see stars in space, and after repeating the word OVOF [Magnify] several times I felt myself to be floating in space. There was a large star towards which I was being drawn. I passed through the coronasphere of the sun, but felt no discomfort. I found myself in a bright but misty void within the star. A beach appeared in the mists and I walked up onto its sands. At the edge of the beach was a wood of large oak trees which I quickly entered. I moved deeper and deeper into the woods, and the light from the star cast strange long shadows which seemed to point the way into the heart of the wood. A grove appeared; and within that clearing was a beautiful waterfall, which bubbled into a stream and then wove its way towards the beach, disappearing out of sight. I bathed in the waterfall. I realised suddenly that I was being watched, and noticed that there was a cave behind the waterfall. In the twilight I could see the radiant image of a woman; she stood in profile, half-clothed in the shadows, beckoning me to enter within. I penetrated the veil of the waterfall and took her hand. She led me down a long tunnel that seemed to go far underground. Finally we came to two large doors with an elaborate seal upon them. My guide vanished into the shadows, and an impressive warrior-like angel clothed in samurai-like clothes appeared before the door, blocking my way. He had fiercesome flashing eyes, and 106 arrows pierced his chest like a pin cushion. The Barbs protruded from his back, and his chest was a mass of feathers, the feathers of MAAT. In one exotic flashing, flowing movement without any break, he fixed his eyes unflinching like a cat, whilst his hand selected the arrow for me and placed it upon his bow, and he drew and fired at my heart. As the arrow entered my heart I was shaken with pain and pleasure; I realised in a blinding gnosis that these arrows had been dipped in the Holy Graal of the Scarlet Woman, and this was the poison of Babalon which would lead me to the GRAAL and to the Abyss in search of the Philosophers Stone (the antidote, if you like). The poison would eventually bring about the death of my personality in the Abyss, but it also connected me to the bloodline of those who seek the path which leads to LIT: and beyond to LIL - LIL-LIT (H). I saw then that the Elixir of the Poison of the Arrow (MAL is 'an arrow' in Enochian) is LAM.What follows is information which has been received as a result of expeditions to Aethyrs, both alone and in groups, over the past few months. he Aim was to achieve deeper knowledge of the function and operation of LAM with regards to the Great Work and our respective true selves. These are the results.
I realised later that this occult attack had come from the Governor called Ranglam. But I had forgotten about the arrow by now, as the seal had been broken and the doors to the underground chamber opened. I entered within; the atmosphere was very dark and deathly quiet. At the end of the room stood a Stone throne, and a presence sat upon it. I stared to perceive who it was, but as I tried to focus on the face it started to distort. I could see two red eyes staring back at me, and felt intensely that this was myself in the future as yet not formed, as yet unborn, unseen and unheard; but I had been marked and I would return. At this point I withdrew from the vision, realising that I could go no further at that time. I believe that the presence here encountered was the LAM, the face of the Monad that only becomes really apparent in this Aethyr of LIT.

Egregore Chain No. 1: LAM (104) + AIWASS (156) + OLUN (158) = 418
LAM is the duality of creation, QAA (52), the arrow and the target. Aiwass on this basis is the threefold aspect of creation, the fulfilment and the synthesis of the aspiration of the arrow towards heaven. AIWASS + OLUN = 314 = KAL (to manifest, or precipitate). KAL is derived from KALZ which means 'the Firmament' and is itself a factor of doubt. KALZ = 323 = 17 x 19. Hence we can derive from this the formula:
KAL LAM = 418 = KAL MAL (Sigil Earth of Water, Water Tablet)
Manifest LAM = 418: Manifest the Arrow.
OLUN: OL (to make = 2 x 19) + UN (title of the first enochian letter) = 120 = OM, Understanding, and GRAA the Moon. Hence OLUN can he defined as to make the understanding of the Moon, or to make a hole which is receptive to understanding. OLUN seems to be very like TIAMAT or LILITH.
KAL = 314 = BUTMONI (Their mounts) 2 x 157. ZORGE (Love) = 151/157.
Hence we can see that the marriage of AIWASS and OLUN creates manifestation and expresses the duality of Love and its division. Out of their mouths spill the duality of the word which is divided, but which becomes reconciled through the Love of LAM: the arrow joins them. The arrow of truth is the arrow of Eros, the arrow of LIT - the Aethyr without a supreme Being. OLUN is the act of drawing the Bow, LAM is the face behind the Arrow, and AIWASS is the act of aiming and fixing the target which depends upon light.
Egregore Chain No. 2: MAAT (111) + AIWASS (156) + BEAST (37) + BABALON (114) = 418
MAAT (111) + AIWASS (156) = 267, YRPOIL, 'division'; BEAST (37) + BABELON (114) = 151, ZORGE/SALOME, 'love'; YRPOIL (Division) + ZORGE (Love) = 418.
Hence 'I am divided for love's sake, for the chance of union'. But how can this union be accomplished? How can the duality be reconciled? The answer is through the introduction of a third variable, which is Love: the Love of the Beast for Babalon, and of Maat for Aiwass. It is interesting to see how Aiwass appears on both these maps. He seems to represent on the one hand in the first map the Magus, and Logos of the Aeon; whilst in the second one he is the Demiurge, with the path of the Hierophant (Man of Earth) connecting these two maps together.
But what exactly is an egregore chain, and how does it work? It can be defined as the group spirit (super-consciousness) of all the members of a particular Order. The F.S. (Fraternitas Saturni) use this notion very effectively; members need not be present in the workings or rituals of other Order members in order to gain access to the egregore. It is analogous to the running of magical computer programs across a network of adepts or members, in order to access necessary gnosis and guidance from the Secret Chiefs. This can be done using these egregore maps because they express the laws of Creation and the Fall through their symbolism. They allow people to free themselves from the lust of result by the externalisation of the Holy Guardian Angel into the egregore; thus, in the process of trying to communicate with the Secret Chiefs, the nature of the Angel is encountered in the process. It also helps to align groups to the Great Work more effectively, diminishing group Babel that hinders us from uniting with Babelon. Babel is a negative build up of Shaitan energy that restricts the flow of Will. This is the division that must be overcome with Love. When working alone, the triad seems to be the most natural pattern to assume. For example, I take the form of Aiwass through atavistic assumption, and through OLUN my anima manifests the Child that is Lam, the fruit of my will, the Hidden God. In pairs, OLUN + AIWASS relationships form, with Lam being the invisible unifier or copula between them.
The Bow is formed of a branch of the Tree of Knowledge of Good and Evil. The String is the golden thread, the Sutrat-man that connects us from incarnation to incarnation, from past to future; it is the knowledge which we retrieve from Choronzon through the ABRAHADABRA process. The String is the Serpent of Time, Apep, that must be overcome. The frequency of the string as it resonates is the song of the true self, and is but part of the music of the spheres. The tension of the Bow is the force of Shaitan that tries to resist the Initiate drawing it back and seeing his or her origin. Shaitan does this by creating a sevenfold veil of doubt which must be transcended. The Bow may now be opened which itself creates a division, a window to the void through which we can find the path. This takes the strength of a Lion or a Dragon (OLUN). To open the bow is to weave a vortex, a voracious devouring of chaos and cosmos. The Daughter of the Flaming Sword is often depicted holding the mouth of a lion, as if to control it, to stop her being consumed. But the opening of the bow is the opening of the mouth of the Dragon, whereby one is consumed with fire (spirit). The Bow is now fully extended and becomes a Circle, with the heart of the Initiate at the centre: Hadit joins with Nuit. (Nuit is often depicted holding two arrows in early Egyptian icons, one of which points upward, the other downward). Now we aim without aiming; to forget the arrow (MAL) is to remember LAM: the Target is our intention. We lilace the arrow, symbol of our will (AIWASS) and its ultimate fulfilment, upon the string; and, dissolving ourselves in samadhi upon a sevenfold doubt, we loose the arrow in a moment of pure folly. The feathers of the arrow are plucked from the headdress of MAAT; these feathers form a cross pattern as they resolve themselves in a circle which becomes the Mark of the Beast. One of these feathers of MAAT is used to weigh the heart of the Initiate in the 17th Aethyr TAN, the Aethyr of the Balance.
A suggested LAM Visualisation
Imagine you could remember all your past incarnations in full, through different races, sexes, cultures, planets and even solar systems. Imagine yourself turning around to look behind in a moment of paranoia-critical, and seeing all those incarnations. The fear and disgust of past acts, pain and death must be transcended in doubt and magnified, so that the covenant becomes manifest. Try to synthesize all these shades; though they be divided, this is the mystery of Babalon that you must overcome with Love. Then, through a process of Magical forgetfulness, forget the arrow and give birth to LAM: a bi-sexual humanoid entity which glows with orgone light energy and is the sum of your past and the root of your future. This image is nameless, the Bornless One; hence it is attributed to the Fifth Aethyr, the Aethyr which is without a supreme Being; but it is also a servant of the Arrow, Truth.
Labels:
Aleister Crowley,
article,
Kenneth Grant,
magick,
ritual,
symbolism,
Thelema
Tuesday, May 12, 2015
Zos Speaks!: Encounters With Austin Osman Spare by Kenneth Grant & Stefi Grant (PDF)
In the domain of talismanic books there are very few that can come close to this one in the raw power it projects. True to form of occult books, this one too leaves enough out to make the serious reader reach out to seek more with senses outside of the optical and intellectual. Several PHDs can be tackled from the material contained here.
Amongst the hundreds of books I have read and own this is singularly the most important by a long margin. In reality it is 2 books in one. The first being a meticulously collected and intimate exchanges between Spare and his de facto successor Grant, or rather the Grants as both Kenneth and Steffi were clearly devoted students, friends and supporters of Spare. The glimpse into Spare’s personality and thought patterns is simply priceless. The second part of the book is as close as we ever got to an authentic grimoire of one of the greatest and enigmatic magicians who ever walked the denser plain of existence. Here we finally get to unravel some of the cryptic concepts from Spare’s seminal work “The book of Pleasures” particularly the philosophy behind the alphabet of desire as it relates to sigils. We also get a privileged view into some astoundingly powerful (from personal experience) rituals, which frankly makes those of the Thelemites seem amateurish at best. This is magick in its raw form. The straight line of the will between the two points of desire and reality, devoid of the “fat” of unnecessary pomp and circumstance that so plagues conventional magickal practices.
The various formulae Spare shares (at long last) are sufficiently potent so that even, in Spare’s own words, “The Devil himself shall not prevent your 'will' from materializing.”
No price is too high for the privilege of owning this book. For the serious student of the Art, it is nothing short of indispensable.
Download:
https://mega.co.nz/#!EtsyQCIQ!04JjLbgdGHa1v5YyR-5pjDuj_htU7WSdAOzSWw3LbhE
Labels:
art,
Austin Osman Spare,
author,
ebook,
Kenneth Grant,
magick,
ritual,
symbolism
Thursday, March 19, 2015
XXXI Hymns To the Star Goddess Who is Not by XIII: which is ACHAD (Charles Stansfeld Jones)
XXXI HYMNS
TO THE STAR GODDESS
Who is Not
BY XIII: which is ACHAD
I. Invocation
Mother of the Sun, Whose Body is White with the Milk of the Stars, bend upon Thy servant and impart unto him Thy Secret Kiss!
Enkindle within him the Holy Ecstasy Thou hast promised unto them that love Thee; the Ecstasy which redeemeth from all pain.
Hast thou not proclaimed: All the sorrows are but shadows, they pass and are done, but there is that which remains? That the Universe is Pure Joy-that Thou givest unimaginable Joys on Earth--that Thou demandest naught in sacrifice?
Let me then rejoice, for therein may I serve Thee most fully. Let it be Thy Joy to see my joy; even as Thou hast promised in Thy Holy Book!
Now, therefore, am I Joyful in Thy Love.
AUMN
II. The Brook
So is it with my mind; it flows on towards the Great Sea of Understanding wherein I may come to know Thee more fully.
Sometimes, as it journeys, it threatens to overflow its banks in its eagerness to reflect a wider image of Thine Infinite Body.
Ah! How the very stones, over which flow the life of my being, thrill at the tender caress of Thy reflected Image.
Thou, too, art Matter; it is I -- Thy Complement -- who am motion! Therefore these very stones are of Thee, but the Spirit -- the Life -- is the very Self of me; mine Inmost Being.
Flow on, O Stream! Flow on, O Life! Towards the Great Sea of Understanding, the Great Mother.
III. The Rose Garden
As I lay I contemplated Thy nature as that of an Infinite Rose.
Petals, petals, petals.. but where, O Beauteous One, is Thy Heart?
Hast Thou no Heart? Are Thy petals Infinite so that I may never reach the Core of Thy Being?
Yet, Thou hast said: "I love you! I yearn to you! Pale or purple, veiled or voluptuous, I who am all pleasure and purple, and drunkeness of the innermost sense, desire you: Come unto me!"
Yea! Mine innermost sense is drunken; it is intoxicated upon the Dew of the Rose. Thy Heart is my Heart; there is no difference, O Beloved.
When I shall have penetrated to the Heart of Thine Infinite Rose, there shall I find Myself.
But I shall never come to myself---only to Thee.
IV. The Fox Glove
The flower of my being is given over to a strange conceit; I grow up towards the Stars and not towards the Sun.
Art Thou not Mother of the Sun?
Thus have I blasphemed the Lord and Giver of Life for Thy sake. Yet am I not ashamed, for in forgetting the Sun I am become the Sun--Thy Son--yet a thousand times more Thy Lover.
The foxes have holes and the birds of the air have nests, but now I have nowhere to lay my head; for tall and straight as a Fox Glove do I stand before Thee. My resting place is the Womb of the Stars.
Yet all that I may comprehend of Thine Infinite Body is but as the Glove upon one of Thy soft sweet hands, touching the Earth, not hurting the little flowers.
V. The Storm
So in the depths of my being flash the fires of life; they blind me to the Understanding of Thee and Thine Infinite Body of Stars.
Yet I see Thee reflected in the body of her I love, as we lie with quivering limbs awaiting the coming of the sound of thunder.
She fears the thunder, and turns within herself for consolation.
But even there the Lightning flameth, for I have loosed the fires of my being within the dark recess---in honour of the Storm and of Thine Infinite Body which I see not.
VI. The Hole in The Roof
He was old and very wise.
He said: "Upon me is concentrated the Light of the whole Universe."
But a little brown beetle, who had long lived in the cave with him, looked up, and spreading his wings passed out through the hole in roof---into the Infinite Beyond.
Thus, forsaking wisdom, would I come to Thee, Beloved Lady of the Starry Heavens.
VII. The Design
Such was the design showed me by my friend when first we met.
It was like an exchange of greetings by means of an inward recognition.
Oh! Could I but grasp the Ever-changing Design of Thy Star Body, Mother of Heaven!
Yet, it is written: "Every man and every woman is a star. Every number is infinite, there is no difference."
Such then is Life, for those who love Thee: Strange Curves, and every Curve a Number woven into a Musical and Harmonious Design.
VIII. The Snow Drift
How came I to be lost in the snow-drift?
I remember how I had taken shelter from the blinding storm. The snow fell about me, and I waited, turning my thought to Thee.
Then did I realize how every snow-flake is built as a tiny star. I looked closer, burying my face in the white pile, as in Thy Bosom.
Mine arms embraced the snow-drift; I clung to it in a mad ecstacy.
Thus would I have pressed Thy Body to mine, wert Thou not Infinite and I but as tiny as a star-flake.
So was my body frozen---as by the utmost cold of inter-stellar space.
It was blue as Thine when they found me locked in Thine embrace.
IX. Daylight
The little light of the Sun veils the Great Light of the Stars, for to-day Thou seemest distant.
The Sun burns like a great Torch, and Earth seems as one of His little Spheres, filled with life.
I am but a tiny spermatozoon, but within me is the fiery and concentrated essence of Life.
Draw me up into Thyself, O Sun! Project me into the Body of Our Lady Nuit!
Thus shall a new Star be born, and I shall see Thee even in the Daylight, O Beloved.
X. The Bird
Then I raised the bars of his cage, and without a moment's hesitation he flew out into the room, and spying the cage of the love-birds, perched upon it and examined it carefully.
Not long afterwards another and stronger cage was obtained for the love-birds, for they had pecked through some of the frail bars. When the little bird was offered the discarded cage, he quickly hopped from his tiny one to theirs.
Now he has three perches and room for his tail, and when we open the door of his cage he refuses to come out. Perhaps he fears to lose what he had once coveted and then obtained.
Herein lies the secret of Government. Give the people what will make them reasonably comfortable; let them have three perches and room for their tails; and forgetting their slavery and restrictions, they will be content.
Hast Thou not said "The slaves shall serve." Lady of the Starry Heaven?
XI. The Moral
The door remained open; the room was before him, wherein he could stretch his wings and fly.
Yet he preferred his cage.
The wide world might have been his had he known how to use it, but he was not ready for that; he would have perished of cold had I let him out into the wintry snow.
Let those who would travel the Mystic Path remember this: Earth Consciousness is an illusion and limitation. When it frets us, like a little cage, our chance for greater freedom comes.
But when a larger cage is offered---when we obtain Dhyana---let us not rest there thinking ourselves free. The door is open, Samadhi lies beyond, and beyond that, when we are ready for it, the Real Freedom, Nirvana.
O Lady of the Stars, let me not content till I penetrate the ultimate bars and am Free---One with the Infinitely Great as with the Infinitely Small.
XII. The Invisible Foot Prints
There is joy in this wandering among the flowers of life, but Thy Joy, O Beloved, is to be desired above all.
Now I seek a resting place, I am set upon a new Quest, to Worship at Thy feet.
For it is written of Thee: "Bending down, a lambent flame of blue, all touching, all penetrant, her lovely hands upon the black earth, and her lithe body arched for love, and her soft feet not hurting the little flowers."
Oh! That I might discover Thine Invisible Footprints upon the Earth and there come to the Understanding of Thy Being, O Beloved.
XIII. The Finger Tips
Hath not Nemo a Garden that he tendeth? Doth he not also labour in the Black Earth?
Who knoweth when Thy hands may grasp me and draw me up into Thine arms, there to nestle at Thy breast, to feed upon the Milk of the Stars?
Beloved, verily this tending of the Garden of the World---although the labor may seem heavy---leadeth to a Great Reward. As Thou hast said: "Certainty, not faith, while in life upon death, rest, ecstasy." Nor dost Thou demand aught in sacrifice.
What do the Bhaktis know of Love? They see the Beloved everywhere.
But when I am one with Thee, O Beloved, I shall not see Thee, for I shall know Theee as Thou art.
XIV. The Well of Stars
Then beware! For above the entrance hangs a fiery sword.
Few find this Well or know its Secret; there are but two roads leading thereto.
From the broad Mountain summit we may search the slopes for a vision of the Woodland Delta where grow the Trees of Eternity, or we may journey through the Valley between the Ivory Hills---if we fear not the purple shadows and the black pit-fall.
From Thee we came; to Thee may we return, O Well of Living Stars!
XV. The Icicles of Isis
Thus it is with those who are banished to the Palace of the Moon---for the Word of Sin is Restriction.
Oh! Lady of the Starry Heavens, let me not become frozen at the touch of the cold Veil of Isis. For the Moon is but the dead reflector of the Sun, and He but the youngest of Thy Children of Light.
Let me lift Thy Peacock Veil of a Million Starry Eyes, O Beloved!
Show Thy Star Splendour, O Nuit; bid me within Thine house to dwell!
XVI. Purple Mill
Sometimes it seems like the incense smoke of Aspiration ascending towards the Sun---giver of Light, Life, Love and Liberty to the Children of Earth.
But the Sun is going down behind the Mountains, and Thy Starry Lamps glow in the Sky.
Is not the Lamp above the Altar a symbol of the Desire of the Higher to draw up the lower to Itself?
So, O Lady of Heaven, I liken the Mist to the life-breath of Souls who pant for Thee here below.
And I remember Thy words:
I, too, would ascend as a delicate purple mist that steams up from the Hills. Art Thou not all Pleasure and Purple?
- Above, the gemmed azure is
- The naked splendour of Nuit;
- She bends in ecstacy to kiss
- The secret ardours of Hadit.
- The winged globe, the starry blue,
- Are mine, O Ankh-af-na-khonsu!
XVII. The Infinite Within
Yet since Thy Pure Being must ever be more refined than this body of mine I should interpenetrate every part of Thee with my living flesh.
Thus, O Beloved, should we enter into a new and more complete embrace: not as of earth wherein the male uniteth with the female by means of the physical organs of love, but with every atom of my being close pressed to every atom of Thine---within and without.
Then, O beloved, would I cry unto the Lord of the Primum Mobile to teach me the Art of the Whirling Motion of Eternity.
Thus, whirling within Thee, our never-ending nuptial feast shall be celebrated, and a new System of Revolving Orbs be brought to birth.
Ah! the shrill cry of Ecstacy of that Refined Rapture---the Orgasm of the Infinite Within.
XVIII. The Rainbow
It seemed like a tiny rainbow of promise.
Then, while I watched in wonder, a small grey spider bridged the arch of the bow with his silken thread.
Ah! My Beloved, thus, too, hath the Spider of Destiny woven his silken rope from extreme to extreme of the Great Rainbow of Promise.
Fate hath fitted me as an Arrow to the String of Destiny in the bow of the Sun.
But Whose Hand shall draw that Mighty Bow, O Beloved, and send me upon fleet wings to my resting place within Thine Heart?
XIX. Dropped Dew
It was very early; the Sun had not yet re-arisen; the Stars still twinkled faintly in the sky.
Who could have come before me to the Garden?
I followed the trail of dew, stooping down so that I saw in each crystal drop the reflection of a tiny star.
Thus came I to my lady's chamber; she it was who carrying roses had left this silvery thread as a clue to her hiding place.
When I found her, her eyes were closed, as she pressed the fragrant the pink blossoms to her white breast.
Then did I bury my face in the blossoms and I saw not her eyes when she opened them in wonder.
Thus, too, would I follow the Star-trail of Dropped Dew, ere the re-arisen Sun hides Thee from me, O My Beloved!
Thus would I come to Thee and bury my face in Thy Breast amid the Roses of Heaven.
Nor should I dare to look into Thine eyes, having discovered Thy secret---the Dew of Love---the Elixir of Life.
XX. Twilight
Twilight... and in a few brief moments the Stars will begin to peep. I will await Thee, here amid the heather, O Beloved.
I wait... no stars appear for a mist has stolen up from the foot of the mountains.
Thus I waited for a sight of Thy Star Body till the cold damp mist of suppresed emotion chilled my being and my reason returned.
The woman stood girt with a sword before me. Emotion was overcome by clarity of perception. Then did I remember Thy words: "The Khabs is in the Khu not the Khu in the Khabs. Worship then the Khabs and behold my light shed over ye."
Thus turned I my thoughts within, so that I became concentrated upon the Khabs---the Star of mine inmost being. Then did Thy Light arise as a halo of rapture, and I came a little to lie in Thy bosom.
But I offered one particle of dust---and I lost all in that hour.
Such is the Mystery of Her who demandest naught in sacrifice.
The twilight is returned.
XXI. The Dog Star
I have been like an unleashed hound before Thee, O Beloved. I have striven towards Thee and Thou seest in me only the Dog Star.
Yet will I not fall into the Pit called Because, there to perish with the dogs of reason. There is no reason in me; I seek Understanding, O Mother of Heaven.
Thus, with my face buried in the black earth, do I turn my back upon Thee. I will refine my rapture.
So Thou mayest behold me as I am, and so Thou shalt Understand at last, O Beloved; for in reverse Thou readest this DOG aright.
Hast Thou not said: "There is none other?"
XXII. Pot-pouri
Therein they will sit divided---but not for love's sake---for they know Thee not---O Beloved. Into the Elements, the fiery, the watery, the airy and the earthly Signs are they divided when they gather at the Full Moon within the forest.
I wandered down the deep shadowy glade, there I espied a tiny sachet of pot-pouri, dropped---maybe---from the streaming girdle of one of the maidens.
Tenderly I raised it. Its perfume is like unto the perfume of her I love. She, too, perhaps, has heard the call of the moon and is even now on her way to the secret tryst.
But hast Thou not said: "Let there be no difference made among you between any one thing and any other thing; for thereby cometh hurt."
What matter then the name of the maiden? What matter the flowers of which it is composed?
Yet dare I not burn this incense unto Thee, O Beloved, because of Thine hair, the Trees of Eternity.
Oh! Little sachet of pot-pouri, thou hast reminded me of her I love, for the roses are falling, it is the night of the Full Moon and the children of Sin gather to attend the Sacred Circle.
XXIII. Red Swansdown
But there is within the archives another story, unheard by the ears of men.
From the breast of the Eternal Swan floated one downy feather, steeped in blood. This did the youngest and least worthy of the Knights hide tenderly in his bosom till he concealed it within the hard pillow of his lonely couch.
Night after night that holy pillow became softer; sweeter and sweeter were his dreams. And one night---the night of the crowning of Parzival---he was granted the Great Vision wherein the Stars became like flecks of Swansdown upon the Breast of Heaven, each living and throbbing, for they were steeped in Blood.
Then did every atom of his being become a Star racing joyfully through the Great Body of the Lady of Heaven. Thus in sweet sleep came he into the Great Beyond.
Grant unto me Thy Pillow of Blood and Ecstacy, O Beloved!
XXIV. Passing Clouds
Yet is the moon but illusion.
A dull day: but presently the Sun is seen as the clouds are dispelled by His light.
Is He that which remains?
Night once more: the Sun is lost to sight, only the moon reminds me of His presence. The clouds scud swiftly across the Sky and disappear.
Thy Star Body is visible, O Beloved; all the sorrows and shadows have passed and there is that which remains.
When clouds gather, let me never forget Thee, O Beloved!
XXV. The Coiled Serpent
The ostrich goeth swiftly; with ease could he outstrip those who covet his tail-feathers, yet when danger cometh he burieth his head in the sand.
The tortoise moveth slowly and when embarrased he stoppeth, withdrawing into his own shell; yet he passeth the hare.
The hare sleepeth when he should be swiftly moving; he runneth in his dreams thinking himself at the goal.
But the Coiled Serpent hath wisdom, for he hideth his tail and it is not coveted; he raiseth his head and fears not; he moveth slowly like the tortoise, yet withdraweth not; he nestles close to the hare, darting his tongue with swiftness, yet falleth not asleep by the wayside.
Would that I had the Wisdom of the Coiled Serpent, O Beloved, for Thou hast said: "Put on the wings, arouse the coiled splendour within you: come unto me!"
XXVI. Love and Unity
The Four-lettered Name implieth Law, yet it may be divided for love's sake; for Love is the law.
The Four-lettered Name is that of the elements, but it may be divided for the chance of Union; for there is Unity therein.
There is but One Substance and One Love and while these be twenty-six they One through thirteen which is but a half thereof.
Thus do I play with numbers who would rather play with One and that One Love.
For Thou hast said: "There is naught that can unite the divided but love!"
And is not Achad Ahebah?
XXVII. The Riddle
This, O Beloved, is a dark saying, but Thou hast said: "My colour is black to the blind, but the blue and gold are seem of the seeing. Also I have a secret glory for them that love me."
And Hadit hath declared: "There is a veil; that veil is black."
I would that I could tear aside the veil, O Beloved, for seeing Thee as Thou art, I might see Thee everywhere, even in the darkness that cometh to a point yet goeth in a circle.
For Hadit, the core of every star, says "It is I that go," and Thou, Mother of the Stars, criest "To me! To me!"
Resolve me the Riddle of Life, O Beloved, for loving Thee I would behold Thy Secret Glory.
XXVIII. Sayings
Who cares what is back of the moon?
Jehovah showed his back unto Moses, saying: "No man hath seen my face at any time."
Who cares to face the elements?
Hadit hath said: "I am life and the giver of life; therefore is the knowledge of me the knowledge of death."
Who cares to know death?
But Thou, O Beloved, hath said: "I give unimaginable joys on earth, certainty, not faith, while in life upon death, peace unutterable, rest, ecstacy; nor do I demand aught in sacrifice."
Who would not long to invoke Thee under Thy Stars, O Beloved?
XXIX. The Falling Star
Since every man and every woman is a star, their lives are like unto streams of light concentrated upon every point in Space.
As I lay with arms out-stretched, my bare body shining like ivory in the darkness. my scarlet abbai flung wide, mine eyes fixed upon the star-lit Heaven; I felt that I, too, was falling, falling, falling, in an ecstacy of fear and love into the void abyss of space.
Then did I remember that Thou art continuous. Beneath, above, around me art Thou. And lo, from a falling star I became as a comet wheeling in infinite Circles, each at a different angle, till my course traced out the Infinite Sphere that is the Symbol of Thee, O Beloved.
Then did I aspire to find the Centre of All.
And even now I am falling, falling, falling.
XXX. Justice
Now am I come to Justice, so that I may be All or Naught according to the direction of vision.
No Breath may stir the Feather of Truth, therefore is Justice ALone in L. Yet the Ox-goad is Motion and Breath Matter if it be called the Ox which is also A.
How foolish are these thoughts, which are but as the Sword in the hand of Justice. They are as unbalanced as the Scales that stir not, being fixed in the figure of Law above the Court House of a great City.
But Thou hast said: "Love is the law, love under will."
And Love is the Will to Change and Change is the Will to Love.
Even in the stern outline of the Scales of Justice do I perceive the Instrument of Love, and in the Life Sentence, the Mystery of Imprisonment in Thy Being, O Beloved!
XXXI. Not
When shall I come to the Secret Centre of Thy Being?
Time, thou thief, why dost thou rob the hungry babe? Space, thou hadst almost deceived me.
O Lady Nuit, let me not confound the space-marks!
Then, O Beloved, Thy Word came unto me, as it is written: "All touching; All penetrant."
Thus left I Time and Space and Circumstance, and every Star became as an atom in my Body, when it became Thy Body. Now never shall I be known, for it is I that go.
But Thou, O Beloved, though Thou art infinitely Great, art Thou not energized by the Invisible Point---the Infinitely Small?
A Million Eternities are Present, Deem not of Change; This is the Here and Now, and I am
NOT
Labels:
Aleister Crowley,
Charles Stansfeld Jones,
Kabbalah,
magick,
religion,
ritual,
symbolism,
Thelema
Saturday, February 21, 2015
Jean Dubuis' Complete Alchemy Course
From The Author: 'My name is Jean Dubuis. I am, this present day that I write [1995], aged 76 years old, and I have a practice of esotericism of more than half a century. My esoteric researches started when I was twelve, after a tremendous inner experience; the invisible world had become for me as true as the world of matter where we live. From that time on, I never ceased trying to understand the nature of this experience, to find means to renew it if possible.'
Jean Dubuis is widely recognized as the most influential alchemist of the 20th century. Although his course on alchemy and kabbalah were finished over 25 years ago, they are still considered by many to be the finest works of their type ever published.
Here is the complete course (all in pdf format) and in the correct order.
Part 1 - Fundamentals
Dubuis, Jean - The Fundamentals Of Esoteric Knowledge
Part 2 - Spagyrics (Plant Alchemy)
Dubuis, Jean - Spagyrics Vol 1
Dubuis, Jean - Spagyrics Vol 2
Part 3 - Mineral Alchemy
Dubuis, Jean - Mineral Alchemy Vol 1
Dubuis, Jean - Mineral Alchemy Vol 2
Dubuis, Jean - Mineral Alchemy Vol 3
Dubuis, Jean - Mineral Alchemy Vol 4
Part 4 - Kabbalah (Qabala)
Dubuis, Jean - Qabala, The Philosophers of Nature Vol 1
Dubuis, Jean - Qabala, The Philosophers of Nature Vol 2
Dubuis, Jean - Qabala, The Philosophers of Nature Vol 3
Part 5 - Additional Material
Dubuis, Jean - The Experience of Eternity
Download collection:
https://yadi.sk/d/Z_8UzKnZtmmUs
Thursday, February 19, 2015
Gems From The Equinox: Instructions By Aleister Crowley for his own Magical Order
Dr. Israel Regardie's brilliant and beautiful compilation of many of Crowtey's best magical writings from the rare and expensive eleven number Equinox. Very high quality scan. If you can only own three books associated with Crowley and his teachings, they would have to be "Magick: Liber ABA," "Magick Without Tears," and "Gems from the Equinox." This is a well organized synthesis of the most highly regarded contents of The Equinox.
Download:
https://mega.nz/#!gHpUHLiL!4sbKwgNYPuddLBYTcYEu0If79TUmukDSyY0s9C_52OA
Labels:
Aleister Crowley,
author,
ebook,
Israël Regardie,
magick,
philosophy,
religion,
ritual,
symbolism,
Thelema,
yoga
Wednesday, February 11, 2015
The Complete Golden Dawn System Of Magic by Israel Regardie
A compilation of the teachings of the Hermetic Order of the Golden Dawn. This book includes assists readers in their studies and includes the Order's instructions in Invocation, Tarot, Qabalah, Enochian Magic, Astrology, Magic, and Esoteric Doctrine, along with the Order's Initiation Rituals. Regardie's classic, final testament to the Golden Dawn. Beautifully illustrated throughout, with many color plates. The Complete Golden Dawn System of Magic is the easiest edition to study. An essential text in any library of magical works.
Download
Saturday, February 7, 2015
Saturday, January 31, 2015
Corpses kiss damsels: the curious art of Gustav Mossa

Gustav-Adolf Mossa’s paintings are subversive, playful and unforgettable. There is so much detail in each of these works, and while everything is stylized there is still emotional presence. Intrigued by the concept of the Femme Fatale, much of his work features beautiful and somewhat tragic female heroines, often taken from myth or literature. There is also a certain distaste for Catholicism and fascination with perversion – Mary Magdalene climbs half-nude atop Christ’s crucified body, a noble woman powders her face beside a fetus in a jar, Helen tenderly kisses a corpse. Nudity and fatality aplenty!
Gustav Mossa, (1883-1971) was inspired by the work of Baudelaire among other authors, and his style takes its influences from Art Nouveau and the Preraphaélites. Marchesa Luisa Casati was one of his patrons, though I’ve yet to find a depiction of her in his work. He worked nonstop for fifteen years, 1903 to 1918, and then stopped suddenly, producing nothing but gaining popularity.
![]() | |||
Salomé ou Prélude du Christianisme. Aquarelle, 1901 |
![]() |
| Salomé ou le goût du sang. Aquarelle, 1904 |
![]() | |
Encore Salomé. Aquarelle, 1905 |
![]() | ||
| Le Baiser d'Hélène. Aquarelle, 1905 |
Subscribe to:
Posts (Atom)
















