In the late 20th Century, John B. Calhoun decided to make Utopia; it
started with rats. In 1947 he began to watch a colony of Norway rats,
over 28 months he noticed something, in that time the population could
have increased to 50,000 rats, but instead it never rose above 200. Then
he noticed that the colony split into smaller groups of 12 at most. He
continued to study rats up until 1954. Then in 1958, he made his first
lab.
He bought the second floor of a barn, and there he made his office
and lab. For four years he had Universe 1, a large room hosting rats and
mice alike. It was split into four spacious pens connected by ramps,
each filled with rats. The thronging mass of rodents produced an odour
so strong that unaccustomed visitors took several minutes until they
could breathe normally. In 1963 he produced his most famous creation,
Universe 1. The worlds first mouse mortality-inhibiting-environment.
2.7 metres square with 1.4m high walls. The ‘Universe’ was surrounded
by 16 tunnels leading to food, water and burrows. No predators, no
scarcity, the mice would have to be blind to not see the utopia around
them. At least it began as Utopia. Four breeding pairs of mice were
introduced into Universe 1. After 104 days they adjusted to the new
world and the population began to grow, doubling every 55 days. By day
315 the population reached 620. Then is stopped. The population grew
much more slowly as the mice came against the limit of space, their only
limiting frontier.
Society broke. Young were expelled before they had been properly
weaned and were arbitrarily attacked by excessive aggressive male mice.
Females became more aggressive, non-dominant males became passive, not
retaliating to attacks. The last healthy birth came on the 600th day.
Then there were no new mice. Then there were none.
The purpose of the experiment for Calhoun was to examine a pressing
problem, overpopulation. In the post-war 1940′s the world population was
rising extremely quickly and in the 1970′s this continued. The question
was, what happens next? So he tested it, and tested again. Just 9 years
later, in 1972, he produced Universe 25, similar in design but so
precise as to keep the temperature at a constant 20 degrees. No matter
how he adjusted the ‘Universe’ the results were consistent, the mice
moved from perfect to appalling.
After day 600, the male mice just stopped defending their territory,
listless mice congregated in the centres of the Universe. These gangs
would burst into pointless and sporadic violence. Females stopped
reproducing and even started attacking their own young. Mortality rose
phenomenally. Roaming mice either attacked or attempted to mount others,
irrespective of relation or gender, cannibalism and other acts of
depravity consumed them. These were the feral ones. Then there were the
‘beautiful ones.’
The ‘beautiful ones’ withdrew themselves ever so quietly, removing
themselves from the sick society. Solitary pursuits began to define
them; eating, drinking and grooming among others. No scars on their back
or hairs out-of-place, these mice behaved like a separate race. They
saw the world through their narrow scopes, as they tossed, turned and
tried to cope.
In the end the population sank, even when it was back down to a
tolerable level none of the mice changed back. The change was
irreversible, the mice were different now. The secluded females could
still bear offspring and the beautiful ones had the capacity to help
produce them yet it never came. This tipping over into irreversible
societal collapse came to be known as ‘The Behavioral Sink.’ John
Calhoun called it the first death. Death of the mind and soul, leading
eventually to the second death, of the physical form. What he meant was
that after the first death, the mice were no longer mice and could never
be so again.
In a time where people worried about the dangers of people gathering
in cities it confirmed their worst fears. The paper, when published, was
a massive hit as papers go, it fed into the public consciousness and
seemed to match up with the worst of the worries. In 1973, the same year
in which the paper was published, the film Soylent Green was released.
It depicted a future, an overcrowded world where the population could
only survive on Soylent Green, a food handout from the government. The
source it turns out, was the more than plentiful supply of human
corpses. This change, this innovation was reflected in his experiments.
From the cannibalism to the behaviour in desperate mice, John Calhoun
noticed that some mice, feral though they were, had to innovate to
survive, they became creative.
This purpose of the experiments was not to portend some imminent doom
for humanity, in fact Calhoun was trying to be positive. He wanted to
change cities, his remedy to the behavioural sink was creativity. By
changing society and changing how we designed our cities we could avoid
becoming mired, stagnant, and eventually, dead as a dormouse. Over 100
Universes were designed after he published the paper in 1973, these ones
designed with the aim of promoting creativity and reducing stagnation.
The fact that nearly everyone who read his research used it to draw
out doom caused John Calhoun to become distraught. They missed his
point, but still he pressed on. Regardless of what was said, there was
science to do. He and others promoted space colonies as a way of
advancing human societies and he convinced others to change the way they
thought of cities. Bringing in the idea that the places in which people
lived could affect their lives in the way they were designed.
For the first time in history, over 50% of the world population
exists within cities, and they are safer than ever before, due in part
to the ideas drawn from John B. Calhoun and his pungent rodents. His
1973 paper has been classed as one of the 40 most influential psychology
papers of all time, and with good reason, it may have indirectly saved
thousands of lives.
